F I L M M U S I C
* False Flag (2019)
* The Shamer's Daughter II (2019)
* Fodbolddommeren (2018)
* Oskolki (2018)
* Hangover Food (2017)
* The Bride (2017)
* Det Stærkest Barn (2016)
* The Break (2015)
* Negatives (2015)
* Mikado (2014)
* Sværvægter (2014)
* Siria (2013)
* Overgang (2013)
* By The Winter Sea (2012)
* Goodie (2011)
* Fairytale (2009)
* Sanctuary (2008)
* Found (2007)
* Here (2006)
* Jasper & Alberte (2005)
* Spring! (2004)
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To me, writing film music is a very humble experience.
I´ve been allowed to create the sounds, themes, ambience and atmosphere for some one else´s film...
... It´s not MY music, but the directors, and the greatest achievement is watching a him/her respond just the way you hoped he/she would.
True, I´m the one writing all the notes, but we all work towards one common goal:
Creating the best film possible.
That sense of team-effort isn´t found anywhere else when composing music, and I love the challenge of never knowing what the next project will bring and what type of music it´ll be, yet still being able to deliver.
It can be a nail-biting experience just waiting for feedback from the director, and quite often it´s a long and exhausting process before a cue is completed.
But every once in a while, you recieve that one message that makes it all worth while:
"Jesper, you´re a f...... genius!!"
... I´m really not, but please don´t tell!
Ask Hasselbalch, Nepenthe Film, Pegasus Production, Vladislav Severtsev, Svyatoslav Podgaevskiy, Sam Wardhan, Phil Stevens, Ross McGowan, Jesper Quistgaard, Julie Budzt Sørensen, Apollo Music, Red Dog Films, Blouge Productions, 18 Frames, Aarhus Filmværksted, COOP, PostNord, Jotun, Taylor Itex, Linolnshire Wildlife Reserve, Carlton Community Centre, Rosengaardcenteret, København Aikido Klub, Helen Eriksen, Simon Lykke, Conny Nielsen